..:: نقاشان کلاســــــیک ::..

KIMIAGAR18

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علاقه مندان به نقاشی کلاسیک





با هم ، لــــــــــــذت میبریم.


قابل توجه علاقه مندان ، در این وبسایت تقریبا تمامی سبک های نقاشی عرضه شده.کسانی که اطلاعات کافی در این زمینه دارند می توانند سایرین را با سبک و سیاق تابلوها و نکات برجسته ی آنها آشنا کنند.
پ.ن : سمت چب وبسایت اسامی نقاشان بزرگ ثبت شده است.با کلیک بر روی آن تمامی تایلوهای کشیده شده ی نقاش مورد نظر لیست میشوند. میتوانید با ذخیره ی تصاویر ، کلکسیونی از شاهکارهای یزرگ دنیای نقاشی داشته باشید.

با تشکر از توجه شما.
 

KIMIAGAR18

New member


Palazzo Contarini 1908
Claude Monet


In 1890 Monet had bought a strip of marshland across the road from his house and flower garden, through which flowed a tributary of the Epte. By diverting this stream, he began to construct a water-lily garden. Soon weeping willows, iris, and bamboo grew around a free-form pool, clusters of lily pads and blossoms floated on the quiet water, and a Japanese bridge closed the composition at one end. By 1900 this unique product of Monet's imagination (for his Impressionism had become more subjective) was in itself a major work of environmental art--an exotic lotus land within which he was to meditate and paint for more than 20 years. The first canvases of lilies, water, and the Japanese bridge were only about one yard square, but their unprecedented open composition, with the large blossoms and pads suspended as if in space, and the azure water in which clouds were reflected, implied an encompassing environment beyond the frame. This concept of embracing spatiality, new to the history of painting and only implicit in the first water-lily paintings, was expanded by 1925 into a cycle of huge murals to be installed in Paris in two 80-foot oval rooms in the Orangerie of the Tuileries. These were described in 1952 by the painter André Masson as "the Sistine Chapel of Impressionism." This crowning achievement of Monet's long, probing study of nature--his striving to render his impressions, as he said, "in the face of the most fugitive effects"--was not dedicated until after his death. The many large studies for the Orangerie murals, as well as other unprecedented and unique works painted in the water garden between 1916 and 1925, were almost unknown until the 1950s but are now distributed throughout the major private collections and museums of the world. Despite failing eyesight, Monet continued to paint almost until his death in 1926.
 

KIMIAGAR18

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The Starry Night
Vincent van Gogh


Vincent van Gogh painted The Starry Night while in the Saint-Rémy asylum in 1889. Vincent's room in the Saint-Rémy asylum looked out on the eastern sky. He painted The Starry Night as a panoramic vista spreading out into an almost infinite distance under a tumultuous sky ablaze with stars.

The writhing branches of the cypress in the foreground are carved, like the stars, in thick impasto, and the tree vibrates with the rhythms of nature's divinity. The orange-yellow crescent moon makes a stark contrast to the vivid blue firmament, recalling Vincent van Gogh's belief that arbitrary color allowed him to express himself "more forcefully."

Why settle for a paper print when you can add sophistication to your rooms with a high quality 100% hand-painted oil painting on canvas at wholesale price? Order this beautiful oil painting today! that's a great way to impress friends, neighbors and clients alike.

The brilliant color and exuberant vitality of Dutch Post-Impressionist master Vincent van Gogh's paintings stand in stark contrast to his tragic, turbulent life. In 1880, after a series of failed careers, Van Gogh decided to become an artist. Lacking the resources for formal training, he acquired the necessary skills by sketching from books and prints. The artist's earliest works were scenes of peasant life, inspired by Breton and Millet. In 1886, Van Gogh traveled to Paris where he encountered the works of the Impressionists and the fashionable Japanese prints that were immensely popular in Parisian avant-garde circle.

The artist's Paris experience marked a dramatic transformation in his style and the beginning of an extremely productive period. Canvases from this period reflect a radical shift from the somber – paletted realism of his early works to vibrant expressionism. Inspired by the beauty of the area's rural landscapes, Van Gogh moved to Arles in 1888. The move coincided with the onset of the artist's struggle with mental illness and, after one particularly severe episode, he committed himself to an asylum at Saint Remy. While hospitalized Van Gogh continued to paint and it was here that one of his most compelling works, "The Starry Night" was completed.

The artist produced over one thousand works during the ten short years he devoted to painting. He sold only one painting prior to his tragic death, the result of a self-inflicted gunshot wound.​
 
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KIMIAGAR18

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Waiting
Edgar Degas



Edgar Degas As the son of a wealthy Parisian banking family, Edgar Hilaire Germain Degas originally planned to study law before opting to enter the Ecole des Beaux Arts in 1855. His studies there strongly emphasized traditional drawing skills. Degas excelled and his extraordinary draftsmanship became a hallmark of his work. In 1856, Degas traveled extensively throughout Italy where he studied renaissance and classical masterpieces.

As a founding member of the Impressionists, Degas helped to organize the ground-breaking exhibition of 1874, exhibiting 10 of his own pieces in this inaugural show. While historically labeled an Impressionist, Degas preferred the term "Naturalist". He seldom painted en plein- air. Instead preferring to work from sketches and models. The artist once said: "My art has nothing spontaneous about it, it is all reflection." His studies frequently convey an element of psychological tension, offering the viewer intimate vignettes of life in late 19th century Paris. Fascinated with the movement of forms through space, Degas often sketched dancers from the wings of theaters, working in pastel and charcoal to capture his subjects with an unrivaled immediacy. Women dancing or merely engaged in the activities of daily life consistently his favored subject. Scholarship is currently divided as to whether Degas was a misogynist or an early feminist but the raging controversy has yet to dampen enthusiasm for the artist's work.

Degas liked photography so he painted similar to how a camera would capture a picture
 

KIMIAGAR18

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Banks of the River
Pierre-Auguste Renoir


Born in Limoges, Renoir moved to Paris and began his career as an apprentice painter in a porcelain manufacturing plant. His formal studies began at the Ecole des Beaux Arts in 1862 and continued at Gleyre's studio where he painted with fellow Impressionists, Sisley and Monet. Renoir's early paintings demonstrate his love of 18th Century French painting as well as the influence of Courbet and Delacroix.

The artist's portraits of women, often engaged in mundane daily activities, demonstrate his skill as a colorist. Working on a small scale, the artist used the subtleties of light and color to model his subjects. In the first years of the 20th Century, Renoir, encumbered by the effects of rheumatism, retreated to his home in the south of France where he increasingly turned to painting a favored subject: the female nude. These sensitive renderings, widely regarded as among the artist's finest works, represent a stylistic departure from Renoir's earlier paintings, evoking the nudes of the classical world.
 

KIMIAGAR18

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Boating
Egon Schiele


Egon Schiele was born June 12, 1890, in Tulln, Austria. After attending school in Krems and Klosterneuburg, he enrolled in the Akademie der Bildenden Künste in Vienna in 1906. Here he studied painting and drawing but was frustrated by the school’s conservatism. In 1907, he met Gustav Klimt, who encouraged him and influenced his work. Schiele left the Akademie in 1909 and founded the Neukunstgruppe with other dissatisfied students. Upon Klimt’s invitation, Schiele exhibited at the 1909 Vienna Kunstschau, where he encountered the work of Edvard Munch, Jan Toroop, Vincent van Gogh, and others. On the occasion of the first exhibition of the Neukunstgruppe in 1909 at the Piska Salon, Vienna, Schiele met the art critic and writer Arthur Roessler, who befriended him and wrote admiringly of his work. In 1910, he began a long friendship with the collector Heinrich Benesch. By this time, Schiele had developed a personal expressionist portrait and landscape style and was receiving a number of portrait commissions from the Viennese intelligentsia.

Seeking isolation, Schiele left Vienna in 1911 to live in several small villages; he concentrated increasingly on self-portraits and allegories of life, death, and sex and produced erotic watercolors. In 1912, he was arrested for “immortality” and “seduction”; during his 24-day imprisonment, he executed a number of poignant watercolors and drawings. Schiele participated in various group exhibitions, including those of the Neukunstgruppe in Prague in 1910 and Budapest in 1912; the Sonderbund, Cologne, in 1912; and several Secession shows in Munich, beginning in 1911. In 1913, the Galerie Hans Goltz, Munich, mounted Schiele’s first solo show. A solo exhibition of his work took place in Paris in 1914. The following year, Schiele married Edith Harms and was drafted into the Austrian army. He painted prolifically and continued to exhibit during his military service. His solo show at the Vienna Secession of 1918 brought him critical acclaim and financial success. He died several months later in Vienna, at age 28, on October 31, 1918, a victim of influenza, which had claimed his wife three days earlier.
 
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